As a rule, I’ll believe anything an employee of Amoeba Music tells me, music related or otherwise. So when several Amoebites listed “anything from Mississippi Records” atop their “music we like” lists, I went running, headphones in hand.
Turns out Mississippi Records was started in 2003 by two guys, Warren Hill and Eric Isaacson, who share a passion for digging up rare 78’s and re-releasing them on vinyl for a price most folks can afford, 10 bucks.
Today, their output consists of over 40 vinyl pressings; with titles ranging from a 1968 concept album about the life of Malcom X, to the very first recordings of original blues man, Skip James, originally from 1928.
“A Little Bit of Hurt” is 12th in the label’s cassette-only compilation series, and it’s reel-to-real sin-soaked confessions, unanswered prayers and lonesome cries for forgiveness.
Side B (is a good place to start)
Side A (features rare recordings of Sam Cooke & Marvin Gaye)

Not to be confused with President Barack Obama’s Senior Advisor,
Mayer Hawthorne’s Dusty Fingers
Days after signing to Stones Throw, DJ Haircut and Peanut Butter Wolf are in the parking lot outside Dam-Funk’s club night in Culver City waxing intellectual about LA, the long shadow left by DJ Dusk, the Tamla record label and Haircut’s forthcoming Detroit soul project for Stones Throw, Mayer Hawthorne and the County.
Mayer Hawthorne’s coughing his way through a singer’s cold and riding shotgun across the Bay Bridge for a sold-out show that night at The Rickshaw Stop. It’s six hours to show time and the Mayer’s doing what he always does when he’s gotta minute: dig for records. The crew at Groove Merchant treats him like family; not some land-locked star who needs reminding of his roots, just another record geek. In seconds, he’s back behind the counter, digging through the rare stuff, the shit you gotta know about to lay your dusty fingers on.
Hit the jump to hear all the fine finds from Mayer’s dig.
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