It’s guys like Brad Oberhofer that James Murphy was singing about in I’m Losing My Edge. “The kids are coming up from behind,” says Murphy. At just 22, Oberhofer’s creating at a level far beyond his years, but he’s no prodigy, he doesn’t have to be. It’s his effortless blend of scream-sung lyrics, skip-along whistling, erratic percussion, and unexpected song dynamics that many bands attempt to pull off but can’t because, simply put, they sound forced. Oberhofer’s music feels effortless, his approach genuine, and that’s precisely what draws you in.
Oberhofer – I Could Go
Oberhofer – Dead Girls Dance
Much respect to my boy Phil for the tip.


Ask anyone who knows me and they’ll tell you how much I truly love free shit. Call me crazy, but when they say the best things in life are free, I believe em’. So from now on, every Friday, I’ll post my favorite finds, and fingers crossed, they’ll soon become yours, truly.
Here’s some select evidence of L’s microphone mastery
Gonzales, the shadow on the curtain of Jamie Lidell’s Multiply, Feist’s The Reminder, and his own Solo Piano, is warming up for his upcoming Boyz Noize produced album with a new mixtape and the moniker to match.

I got a filín
It’s one thing to discover some burgeoning indie band with 2 songs and <150 fans on their myspace, and it’s another to stumble upon
a band dating 50 years back and entering a gateway to a whole genre of music you never knew existed. Today, I’ve fallen in love and had my heart broken, all due to one 1960s Cuban close-harmony vocal group called Los Zafiros.
La Luna en Tur Mirada, a beautiful tune that sent me feverishly digging through YouTube for more. In those digital stacks I found the following gem of a video for “Y Sabes Bien,”
a song indicative of the Cuban filín (feeling) movement that weaves bolero and bossa nova with doo-wop and R&B.
Thanks to Andrea for the inspiration.